Ferrari (2023)

– a carefully composed, mostly understated biopic, with striking performances from its main cast, but it’s too preoccupied with family drama to excite and too measured to entertain. Its focus is near completely on Enzo Ferrari’s personal life, his battles with his wife, and his relationship with his mistress and illegitimate son. The cars, his efforts to revitalise his company, and the racing itself plays a muted second fiddle.

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