– maybe Guy Ritchie’s lost his mojo because there’s something soulless and money-grabbing about this shiny, over the top action thriller that’s as glossy and mechanical as the power tool peddling laminated pages of an Argos catalogue and offering similar levels of excitement. Even the script, usually crackling with Ritchie’s wit and acerbic one liners, feels like a first draft pieced together from scraps recovered from the waste paper bin in his office. What happened?
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